Join us at the 36th Annual Los Angeles Vintage Paperback Show. We’ll be signing and selling the latest books from Cycatrix Press, Jason V Brock, and William F. Nolan.
Join us at the 36th Annual Los Angeles Vintage Paperback Show. We’ll be signing and selling the latest books from Cycatrix Press, Jason V Brock, and William F. Nolan.
Continued: BLEED is packed with “fantastic reads”
View this article: La Vintage Paperback Show 3/16
This article: Book review: Blood type.
Charles Beaumont (January 2, 1929 – February 21, 1967) was a prolific American author of speculative fiction, including short stories in the horror and science fiction subgenres. He is remembered as a writer of classic Twilight Zone episodes, such as “The Howling Man,” “Miniature,” and “Printer’s Devil,” but also penned the screenplays for several films, among them 7 Faces of Dr. Lao, The Intruder and The Masque of the Red Death. As best-selling novelist Dean R. Koontz has said, “[Charles Beaumont was] one of the seminal influences on writers of the fantastic and macabre.” Beaumont is also the subject of a documentary, Charles Beaumont: The Life of Twilight Zone’s Magic Man, by Jason V Brock.
Illness and death
When Beaumont was 34 and overwhelmed by numerous writing commitments, he began to suffer the effects of what has been called “a mysterious brain disease.” He began to age rapidly. His speech slowed and his ability to concentrate diminished.
“He was rarely well,” his friend and colleague William F. Nolan (who went on to co-write the science fiction novel Logan’s Run) would later recall. “He was almost always thin, and with a headache. He used Bromo-Seltzer like most people use water. He had a big Bromo bottle with him all the time.” Other symptoms were of the professional as well as physical persuasion, Nolan went on: “He could barely sell stories, much less write. He would go unshaven to meetings with producers, which would end in disaster. You’ve got to be able to think on your feet [as a script writer], which Chuck couldn’t do anymore; and so the producers would just go, ‘We’re sorry, Mr. Beaumont, but we don’t like the script.'”
Some (including friend and early agent Forrest J Ackerman) have asserted that Beaumont suffered simultaneously from Alzheimer’s and Pick’s diseases, but it has also been speculated that the condition was related to the spinal meningitis he suffered as a child. The former diagnosis was echoed by the UCLA Medical Staff, who subjected Beaumont to a battery of tests in the mid-1960s. As recalled by Nolan, the UCLA doctors sent Beaumont home with a death sentence: “There’s absolutely no treatment for this disease. It’s permanent and it’s terminal. He’ll probably live from six months to three years with it. He’ll decline and get to where he can’t stand up. He won’t feel any pain. In fact, he won’t even know this is happening.” Nolan himself sums up what happened: “Like his character ‘Walter Jameson,’ Chuck just dusted away.”
Several fellow writers, including Nolan and friend Jerry Sohl, began ghostwriting for Beaumont in his final years, so that he could meet his many writing obligations. Privately, he insisted on splitting these fees.
Charles Beaumont died in Woodland Hills, California at the age of 38. But at that time, said his son Christopher later, “he looked ninety-five and was, in fact, ninety-five by every calendar except the one on your watch.” Beaumont’s last residence was in nearby Valley Village, California. He left behind his devoted wife Helen, and two sons and two daughters. One son died in 2004 of eerily similar circumstances. The other, Christopher, is a successful writer in his own right.
Charles Beaumont is buried at San Fernando Mission Cemetery.
I’ll be the September Guest Writer at Paul Kane’s Shadow Writer: I’m in fine company there, I’ll tell you (Ramsey Campbell, Neil Gaiman,…
Source: Mars Poetry Contract Signed — Not the Same One that Will Go Into Space;…
In a very rudimentary sense
simulacrum, derived from Latin, means likeness or similarity, a representation
or image. One thinks of the mirror image of one’s self it is true in form
however reversed but lacks the actual substance of the original that casts the
reflection, i.e. the human form standing before the mirror. What is dark
fiction, horror, but visceral writings of the gut that inevitably represent the
deeper truth of what and who we are and what our nature is truly about. These
genres reveal through a vial all that human kind represses, true to form, but
lacking enough to be a story, and dream, or a nightmare.
Jason V Brock (without the
period) is a visceral writer. As we can see from this delightful anthology of
his works, he can rip to the gut and have you attempting
desperately to stuff your entrails back inside before it’s too late.
In the forward written by the
legendary William F. Nolan, the writer remarks “He (Jason) is a deep thinking
individual, even a provocateur, and his work is sometimes extreme, dark and
gruesome…he uses it to expose some flaw or weakness in a character.”
My own experience with Jason
and his writing tells me that there will always be those that exclaim the man
is too controversial. The problem with those views is that it is all too
revealing of the gainsayers that are most likely thick with denial. People,
critical examiners really, that just don’t want to hear the truth. The fact is,
if they don’t want to hear about their own unlovely nature, then they really
need to get out of the horror industry all together because they are doing no
justice there. If there is one thing that Jason’s stories tell us about, it’s
about our lives, our nature, our truth, our self. And through a representation
of that visceral truth, we can see clear to original that lies beyond in the
land of reality.
The collection kicks off with
“What the Dead Eyes Behold.” An image of
that very moment when you look into your significant other’s eyes and are
overwhelmed with the very deepest feelings of love so much that you want to
preserve the moment forever, and ever… and ever!
Next up “The Central Coast,” a
story previously published in Dark Discoveries magazine, starts us off in the
middle trauma and shock. Social gatherings can be horrific enough, without even
coming close to this event. Brock displays the same expertise in setting up the
reader in this story as any Stephen King has written. He enthralls the reader
with terribly vivid scene irresistible to our curious nature only to bring that
shocking and terrible discovery you’d wished you’d never come upon. One thing
is for sure, if you are a wine connoisseur, you might think twice about that
rare estate reserve you’ve had eyes on. It may be more expensive than you
think.
It’s impossible to describe in
a review the depth experienced in reading anything Brock has penned.
Descriptions are as the title suggests only a representation of the actual
experience of reading his work. There are many stories in this collection,
fifteen plus his new novella “Milton’s Children,” but I find it irresistible
not to spoil some delight in each of them. Therefore I’ll leave the rest for
your own experience, an experience that comes highly regarded and suggested.
— Review by Cyrus Wraith Walker
Friday, November 15 3:00 pm The AckerMonster Chronicles! 2012 / USA / 90 min / Hi Definition Digital Director: Jason…
Like a Dead Man Walking, by William F. Nolan, Centipede Press, 2014. Cover art by David Ho, info and preview: centipedepress.com.
“Sherlock Holmes…Interdimensional demons…Aliens…Killers and child predators…Time travelers…Vampires…Even the end of the world, in more ways than one…All are contained within these pages. From the darkest corners of imagination to the precipice of human achievement, William F. Nolan delivers the goods in this assortment of recent works: his first all-new collection in his long and storied career. Working with editor Jason V Brock (Milton’s Children), Nolan brings to shocking life not only debauched murderers and depraved loners, but also fascinating portraits of personal reflection; the heroes of yore in poetry; pages from Nolan’s notebook; and an exclusive, intimate interview with his beloved friend, the late Richard Matheson (I Am Legend). Centipede Press is pleased and proud to offer this fantastic new assemblage of tales from an acknowledged master of the dark fantasy and science fiction genres, complete with insights into the stories, and a probing intrtoduction from editor Brock: This is not only Nolan’s most recent collection, but likely his very best. Come along for the ride and discover things that may (or may not) be Like a Dead Man Walking…You are sure to enjoy the journey. This signed limited edition is just 300 copies. The dustjacket is the work of David Ho. Each copy is signed by William F. Nolan, Jason V Brock, and David Ho.”
10:00 am |
Gennaio 26 2014
| 2 note
Weird Fiction Review #4, November 2013, edited by S.T. Joshi, Centipede Press, 2014. Cover art by Bob Eggleton, info and previews: centipedepress.com.
“The Weird Fiction Review is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This fourth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. It features original stories and essays by J. C. Hemphill, Donald Tyson, Mark Fuller Dillon, Ann K. Schwader, Michael Washburn, James Goho; a lengthy interview with Patrick McGrath; an 8-page full-color gallery of art by Bob Eggleton; regular columns by Danel Olson and John Pelan and much more.”
Contents:
Rare Breeds, Short fiction by J.C. Hemphill
Lunguistica Obscura, Short fiction by Lynne Jamneck
HPL and WHH: Ships in the Night, Essay by Sam Gafford
Stranger On a Bus, Short fiction by Donald Tyson
The Pukey, Classic short story by Nigel Dennis
The Twilight Zone: American Alien-Nation, Article by Christopher Cappelluti
The Vast Impatience of the Night, Fiction by Mark Fuller Dilon
Halsey and the Padre: A Fourteen-Year Old’s Perspective on Henry S. Whitehead, Article by David Goudsward
Wales and the Weird Tale, Article by Mark Howard Jones
Heh, Heh, It’s Jack Davis, A look at the classic E.C. Illustrator by John Butler
This Red Night, Fiction by Michael Kelly
The Tell-Tale Offal, Fiction by Clint Smith
The Haunted Wood: Algernon Blackwood’s Canadian Stories, Article by James Goho
Artist Portfolio, Eight pages of stunning full-color works by Bob Eggleton
The New Monster Magazines, Article by John Butler
Forrest J Ackerman: Fan Zero, Article by Jason V. Brock
An Offer You Can’t Refuse, Fiction by Michael Washburn
Dennis Etchison’s The Dark Country: After Bradbury, Article by Simon MacCulloch
Through Haunted Minds: An Interview with Patrick McGrath by Danel Olson
Casket Letters, The Gothic Year in Review by Daniel Olson
Forgotten Masters of thr Weird Tale, John Pelan talks about Edmund Snell
Notes on Contributors
Poetry:
Leigh Blackmore
Philip A. Ellis
Angelee Sailer Anderson
Charles Lovecraft
Ann K. Schwader
Sam Middleton
Fred Phillips
Wade German
8:00 am |
Febbraio 4 2014
| 3 note
43
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View original article: Bleed Cancer Anthology Contents Announced
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