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Nameless Digest Issue #3, edited by Jason V Brock & S.T. Joshi, Cycatrix Press, 2013. Info: jasunnistore.com.
“Nameless Digest is an exciting, outstanding biannual journal of the macabre and esoteric. It features articles, artwork, interviews, and fiction from some of the best in the fields of the Weird, science fiction, and horror, both classic and fresh voices, and all new. Nameless also presents outstanding reviews and scholarship of literature, cinema, and comics in a full-color, eye-catching format. The intended goal of Nameless is to meld divergent (even challenging) critical perspectives on a variety of subjects – fiction, music, art, film, social commentary – and present them with the best content (literary, artistic, and, in the case of the website, multimedia) we can muster. Nameless was conceived from the outset as a thought-provoking biannual print periodical, as well as a year-round online destination for the intellectually adventurous. We strive to achieve this via the alchemy of innovative discourse, high production values, and rigorous editorial standards. Though the focus will always be on the macabre, weird, uncanny and esoteric, Nameless will also be a bastion for the under-appreciated idea, the unexplored possibility, the poorly understood concept. We are not a home for the pedestrian, the obvious, the common. It is a state of mind as much as anything, and as such is accepting of anyone that is curious, thoughtful and rational.”
Contents:
Fiction & Poetry
Nicole Cushing – “The Mirrors”
Airika Sneve – “Abysmoira”
Nicole J. LeBoeuf – “Lambing Season”
K. M. Tonso – “Silver Hairs among the Gold”
Yancho Cholakov (Translated by Kalin M. Nenov) – “Asked the Soldier, “Who Called Me?”“
Mike Allen – “Monster”
Edward Morris – “The Part of Me They Could Not Kill Went On To Organize…”
David Agranoff – “The Classroom: A Vignette”
Therese Arkenberg – “The Witch Hunter’s Account”
JC Crumpton – Selected Poetry
Marc Venema – Selected Poetry
Ed Higgins – Selected Poetry
Kelda Crich – Selected Poetry
Nonfiction & Interviews
Hank Shore – Three Short Articles
Shade Rupe – Jean Rollin retrospective
Sam Gafford – The Man Who Saved (W. H.) Hodgson!
Jason V Brock – Bryan K. Ward (Interview)
Aaron J. French – Column
Artwork
Bryan K. Ward
Marc Bilgrey
Ron Sanders
Jason V Brock
Reviews by
Sunni K Brock
Stephanie M. Wytovich
Don Webb
8:00 am |
Marzo 16 2014
A great podcast interview Sunni and I did recently about the Beaumont documentary! Check it out!! http://www.thetwilightzonenetw?ork.com/home/2011/8/14/charles?-beaumont-twilight-zones-magic?-man-jason-sunni-brock.html We discuss…
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Image by JaSunni Productions, LLC/Cycatrix Press via Flickr Had a wide-ranging interview conducted by Joe Parrington on his syndicated show, …
Charles Beaumont (January 2, 1929 – February 21, 1967) was a prolific American author of speculative fiction, including short stories in the horror and science fiction subgenres. He is remembered as a writer of classic Twilight Zone episodes, such as “The Howling Man,” “Miniature,” and “Printer’s Devil,” but also penned the screenplays for several films, among them 7 Faces of Dr. Lao, The Intruder and The Masque of the Red Death. As best-selling novelist Dean R. Koontz has said, “[Charles Beaumont was] one of the seminal influences on writers of the fantastic and macabre.” Beaumont is also the subject of a documentary, Charles Beaumont: The Life of Twilight Zone’s Magic Man, by Jason V Brock.
Illness and death
When Beaumont was 34 and overwhelmed by numerous writing commitments, he began to suffer the effects of what has been called “a mysterious brain disease.” He began to age rapidly. His speech slowed and his ability to concentrate diminished.
“He was rarely well,” his friend and colleague William F. Nolan (who went on to co-write the science fiction novel Logan’s Run) would later recall. “He was almost always thin, and with a headache. He used Bromo-Seltzer like most people use water. He had a big Bromo bottle with him all the time.” Other symptoms were of the professional as well as physical persuasion, Nolan went on: “He could barely sell stories, much less write. He would go unshaven to meetings with producers, which would end in disaster. You’ve got to be able to think on your feet [as a script writer], which Chuck couldn’t do anymore; and so the producers would just go, ‘We’re sorry, Mr. Beaumont, but we don’t like the script.'”
Some (including friend and early agent Forrest J Ackerman) have asserted that Beaumont suffered simultaneously from Alzheimer’s and Pick’s diseases, but it has also been speculated that the condition was related to the spinal meningitis he suffered as a child. The former diagnosis was echoed by the UCLA Medical Staff, who subjected Beaumont to a battery of tests in the mid-1960s. As recalled by Nolan, the UCLA doctors sent Beaumont home with a death sentence: “There’s absolutely no treatment for this disease. It’s permanent and it’s terminal. He’ll probably live from six months to three years with it. He’ll decline and get to where he can’t stand up. He won’t feel any pain. In fact, he won’t even know this is happening.” Nolan himself sums up what happened: “Like his character ‘Walter Jameson,’ Chuck just dusted away.”
Several fellow writers, including Nolan and friend Jerry Sohl, began ghostwriting for Beaumont in his final years, so that he could meet his many writing obligations. Privately, he insisted on splitting these fees.
Charles Beaumont died in Woodland Hills, California at the age of 38. But at that time, said his son Christopher later, “he looked ninety-five and was, in fact, ninety-five by every calendar except the one on your watch.” Beaumont’s last residence was in nearby Valley Village, California. He left behind his devoted wife Helen, and two sons and two daughters. One son died in 2004 of eerily similar circumstances. The other, Christopher, is a successful writer in his own right.
Charles Beaumont is buried at San Fernando Mission Cemetery.
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