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The Best of The Horror Society 2013, edited by Carson…
The Best of The Horror Society 2013, edited by Carson Buckingham, The Horror Society/CreateSpace Independent Publishing Platform, 2013. Info: createspace.com.
“A central coast trip that leads to devastating consequences for wine collectors. An adjoining hotel room that isn’t what it seems. A long bus trip with a stopover in an eerie little town. You’ll visit these places and more in this volume. Or how about the old woman with the strange plant? Or the odd little boy selling lemonade? Perhaps the sideshow lady who just smells so good? You’ll meet them all at the turn of a page and they will remain with you long after the book is closed. The Best of the Horror Society 2013 is an anthology of the weird, the wonderful, and the downright wicked. Within you will discover not only the best of emerging horror writers but seasoned pros whose names you will no doubt recognize as well. So turn out the lights, pull up a chair beside the nearest roaring fireplace and enjoy the ride.”
Contents:
FOREWORD – Scott M. Goriscak
INTRODUCTION – Carson Buckingham
CEREMONY – William F. Nolan
TENDRILS NEVER LIE – Kevin A. Ranson
THE MASK – Lisamarie Lamb
LEMMINAID – Carson Buckingham
THE CENTRAL COAST – Jason V. Brock
WHITE HELL, WISCONSIN – Weldon Burge
VICTIMIZED – Richard Thomas
NORMAL IS RELATIVE – Dan Dillard
THE PROCEDURE – Doug Lamoreux
THE LITTLE CHURCH OF SAFE CROSSING – Joe McKinney
MADELEINE – Julianne Snow
IT HAS TEETH – Christian A. Larsen
MASQUERADE – Dave Jeffery
BLACK BIRD – Rose Blackthorn
ADJOINING ROOMS – Scott M. Goriscak
THE INSPIRATION & HORROR OF GEORGE & HUGH – Nicholas Grabowsky
THE CLOWN – Henry Snider
MOVING DAY – Mark Onspaugh
ELLEN – Lee Pletzers
DADDY – Aaron Warwick Dries
SOFT LIKE HER – Charles Colyott
VENUS – L.L. Soares
THE LUMINOUS VEIL – Ian Rogers
BEER & WORMS – T.E. Grau
BLACK MARY – Mercedes M. Yardley
THE BOY IN THE ELEVATOR – Robert S. Wilson
WEIRD – Dean M. Drinkel
HOTTIES – Mort Castle
10:00 am |
Novembre 17 2013
| 1 nota
Weird Fiction Review #4, November 2013, edited by S.T. Joshi,…
Weird Fiction Review #4, November 2013, edited by S.T. Joshi, Centipede Press, 2014. Cover art by Bob Eggleton, info and previews: centipedepress.com.
“The Weird Fiction Review is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This fourth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. It features original stories and essays by J. C. Hemphill, Donald Tyson, Mark Fuller Dillon, Ann K. Schwader, Michael Washburn, James Goho; a lengthy interview with Patrick McGrath; an 8-page full-color gallery of art by Bob Eggleton; regular columns by Danel Olson and John Pelan and much more.”
Contents:
Rare Breeds, Short fiction by J.C. Hemphill
Lunguistica Obscura, Short fiction by Lynne Jamneck
HPL and WHH: Ships in the Night, Essay by Sam Gafford
Stranger On a Bus, Short fiction by Donald Tyson
The Pukey, Classic short story by Nigel Dennis
The Twilight Zone: American Alien-Nation, Article by Christopher Cappelluti
The Vast Impatience of the Night, Fiction by Mark Fuller Dilon
Halsey and the Padre: A Fourteen-Year Old’s Perspective on Henry S. Whitehead, Article by David Goudsward
Wales and the Weird Tale, Article by Mark Howard Jones
Heh, Heh, It’s Jack Davis, A look at the classic E.C. Illustrator by John Butler
This Red Night, Fiction by Michael Kelly
The Tell-Tale Offal, Fiction by Clint Smith
The Haunted Wood: Algernon Blackwood’s Canadian Stories, Article by James Goho
Artist Portfolio, Eight pages of stunning full-color works by Bob Eggleton
The New Monster Magazines, Article by John Butler
Forrest J Ackerman: Fan Zero, Article by Jason V. Brock
An Offer You Can’t Refuse, Fiction by Michael Washburn
Dennis Etchison’s The Dark Country: After Bradbury, Article by Simon MacCulloch
Through Haunted Minds: An Interview with Patrick McGrath by Danel Olson
Casket Letters, The Gothic Year in Review by Daniel Olson
Forgotten Masters of thr Weird Tale, John Pelan talks about Edmund Snell
Notes on Contributors
Poetry:
Leigh Blackmore
Philip A. Ellis
Angelee Sailer Anderson
Charles Lovecraft
Ann K. Schwader
Sam Middleton
Fred Phillips
Wade German
8:00 am |
Febbraio 4 2014
| 3 note
Los Angeles Morgue Files: “Twilight Zone” Writer Charles Beaumont 1967…
Charles Beaumont (January 2, 1929 – February 21, 1967) was a prolific American author of speculative fiction, including short stories in the horror and science fiction subgenres. He is remembered as a writer of classic Twilight Zone episodes, such as “The Howling Man,” “Miniature,” and “Printer’s Devil,” but also penned the screenplays for several films, among them 7 Faces of Dr. Lao, The Intruder and The Masque of the Red Death. As best-selling novelist Dean R. Koontz has said, “[Charles Beaumont was] one of the seminal influences on writers of the fantastic and macabre.” Beaumont is also the subject of a documentary, Charles Beaumont: The Life of Twilight Zone’s Magic Man, by Jason V Brock.
Illness and death
When Beaumont was 34 and overwhelmed by numerous writing commitments, he began to suffer the effects of what has been called “a mysterious brain disease.” He began to age rapidly. His speech slowed and his ability to concentrate diminished.
“He was rarely well,” his friend and colleague William F. Nolan (who went on to co-write the science fiction novel Logan’s Run) would later recall. “He was almost always thin, and with a headache. He used Bromo-Seltzer like most people use water. He had a big Bromo bottle with him all the time.” Other symptoms were of the professional as well as physical persuasion, Nolan went on: “He could barely sell stories, much less write. He would go unshaven to meetings with producers, which would end in disaster. You’ve got to be able to think on your feet [as a script writer], which Chuck couldn’t do anymore; and so the producers would just go, ‘We’re sorry, Mr. Beaumont, but we don’t like the script.'”
Some (including friend and early agent Forrest J Ackerman) have asserted that Beaumont suffered simultaneously from Alzheimer’s and Pick’s diseases, but it has also been speculated that the condition was related to the spinal meningitis he suffered as a child. The former diagnosis was echoed by the UCLA Medical Staff, who subjected Beaumont to a battery of tests in the mid-1960s. As recalled by Nolan, the UCLA doctors sent Beaumont home with a death sentence: “There’s absolutely no treatment for this disease. It’s permanent and it’s terminal. He’ll probably live from six months to three years with it. He’ll decline and get to where he can’t stand up. He won’t feel any pain. In fact, he won’t even know this is happening.” Nolan himself sums up what happened: “Like his character ‘Walter Jameson,’ Chuck just dusted away.”
Several fellow writers, including Nolan and friend Jerry Sohl, began ghostwriting for Beaumont in his final years, so that he could meet his many writing obligations. Privately, he insisted on splitting these fees.
Charles Beaumont died in Woodland Hills, California at the age of 38. But at that time, said his son Christopher later, “he looked ninety-five and was, in fact, ninety-five by every calendar except the one on your watch.” Beaumont’s last residence was in nearby Valley Village, California. He left behind his devoted wife Helen, and two sons and two daughters. One son died in 2004 of eerily similar circumstances. The other, Christopher, is a successful writer in his own right.
Charles Beaumont is buried at San Fernando Mission Cemetery.
