Continue reading here:
Interview with George Romero by Jason V Brock in Nameless #2+

Continue reading here:
Interview with George Romero by Jason V Brock in Nameless #2+

This article: Book review: Blood type.
Image by JaSunni Productions, LLC/Cycatrix Press via Flickr (Jason and Prof. Ernst Fuchs in Klagenfurt, Austria) This happened a couple…
In a very rudimentary sense
simulacrum, derived from Latin, means likeness or similarity, a representation
or image. One thinks of the mirror image of one’s self it is true in form
however reversed but lacks the actual substance of the original that casts the
reflection, i.e. the human form standing before the mirror. What is dark
fiction, horror, but visceral writings of the gut that inevitably represent the
deeper truth of what and who we are and what our nature is truly about. These
genres reveal through a vial all that human kind represses, true to form, but
lacking enough to be a story, and dream, or a nightmare.
Jason V Brock (without the
period) is a visceral writer. As we can see from this delightful anthology of
his works, he can rip to the gut and have you attempting
desperately to stuff your entrails back inside before it’s too late.
In the forward written by the
legendary William F. Nolan, the writer remarks “He (Jason) is a deep thinking
individual, even a provocateur, and his work is sometimes extreme, dark and
gruesome…he uses it to expose some flaw or weakness in a character.”
My own experience with Jason
and his writing tells me that there will always be those that exclaim the man
is too controversial. The problem with those views is that it is all too
revealing of the gainsayers that are most likely thick with denial. People,
critical examiners really, that just don’t want to hear the truth. The fact is,
if they don’t want to hear about their own unlovely nature, then they really
need to get out of the horror industry all together because they are doing no
justice there. If there is one thing that Jason’s stories tell us about, it’s
about our lives, our nature, our truth, our self. And through a representation
of that visceral truth, we can see clear to original that lies beyond in the
land of reality.
The collection kicks off with
“What the Dead Eyes Behold.” An image of
that very moment when you look into your significant other’s eyes and are
overwhelmed with the very deepest feelings of love so much that you want to
preserve the moment forever, and ever… and ever!
Next up “The Central Coast,” a
story previously published in Dark Discoveries magazine, starts us off in the
middle trauma and shock. Social gatherings can be horrific enough, without even
coming close to this event. Brock displays the same expertise in setting up the
reader in this story as any Stephen King has written. He enthralls the reader
with terribly vivid scene irresistible to our curious nature only to bring that
shocking and terrible discovery you’d wished you’d never come upon. One thing
is for sure, if you are a wine connoisseur, you might think twice about that
rare estate reserve you’ve had eyes on. It may be more expensive than you
think.
It’s impossible to describe in
a review the depth experienced in reading anything Brock has penned.
Descriptions are as the title suggests only a representation of the actual
experience of reading his work. There are many stories in this collection,
fifteen plus his new novella “Milton’s Children,” but I find it irresistible
not to spoil some delight in each of them. Therefore I’ll leave the rest for
your own experience, an experience that comes highly regarded and suggested.
— Review by Cyrus Wraith Walker
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What in the hell is “The Next Big Thing”? Yeah, I’m a little late. Sue me: Been very busy…
Jason V Brock was a guest on Cardinal Sin’s Masters of the Genre YouTube show on August 16th, 2022. You…
We are happy to announce that Jason V Brock‘s first novella, Milton’s Children will soon be available from Bad Moon…
In this follow up volume to The Many Lives of It, Jason V Brock analyzes Rob Zombie and his character…
Image by JaSunni Productions, LLC/Cycatrix Press via Flickr Had a wide-ranging interview conducted by Joe Parrington on his syndicated show, …
We are happy to announce that we will be attending Chicon 8 in September. This will be the 80th World…
Paul Davids, the director of the documentary The Sci-Fi Boys spurred this exploration of the afterlife after an odd encounter in a hotel room. While staying at a hote he printed a piece of paper, he then left the room for a few moments and when he returned he found what he believes was proof that his friend, the departed Forrest J Ackerman of Famous Monsters of Filmland magazine, had reached out him from beyond the grave. Actually, what he found was an unexplained ink smudge on a piece of paper, but this documentary would have you believe it’s proof of the existence of the conscious mind from beyond.
Personally I do believe in something in the hereafter. What exactly that is I won’t speculate on but I do hope there’s something beyond what we know, I wanna believe there’s more than just rotting in the dirt. When my younger tragically brother passed on at a young age I found myself speaking to him while I was alone in the dark, I was full of regret and mourning his death, there were so many things I wished I’d said, and I would find myself speaking these things to him as if he were there. Do I think he was present at the time, was his spirit with me, does anyone really know?
Paul Davids and a small group of true believers, scientists and friends of the departed Forrest J Ackerman would have you believe yes, there’s something out there. we have entries from respected science fiction authors Richard Matheson, Whitley Strieber, Dannion Brinkley and Michael Shermer, whom all chime in. There are also testimonies and research from scientist including Gary Schwartz, the Director of the Laboratory for Advances in Consciousness and Health, here in Tucson, AZ at The University of Arizona, where I work. Schwartz in his lab attempts to communicate with the deceased through a series of yes/no questions and awaits a metered response, which proves absolutely nothing in my opinion. Seriously, until I see an apparition myself it’s gonna be difficult for me to believe, not that I do not want to, I just need a little proof.
Some of these testimonies are compelling stories, witnesses recount weird happenings that they assign to the afterlife, but c’mon now, papers falling off a chair… one time! If it weren’t for the trappings of Forry Ackerman here I don’t think I would have even given this documentary a shot, I hate shows like Ghost Hunters. I do appreciate the fond remembrances of the the world’s ultimate science-fiction nerd but as a science-based exploration of life after death the film is utterly lacking, simply stating that science cannot rule out communication from the afterlife does not prove squat.
There are 40 minutes of bonus features including audio excerpts from a 2009 tribute to Ackerman with touching tributes from Rick Baker and Ray Bradbury. There’s also a second disc featuring The Life After Death Project 2 – Personal Encounters (101 Mins) with further testimony about personal accounts of supposed life after death. I would much rather watch a documentary about Forrest J. Ackerman’s life and what he meant to legions of fans, what happened after his death is of far less interest. 2 Outta 5
Nolan on
Bradbury
William
F. Nolan; edited by S.T. Joshi
Hippocampus
Press, 2013
Nolan
on Bradbury
is a fascinating exploration into two stellar figures in speculative fiction,
their relationship over sixty years, and the intellectual cross-fertilization
that can occur when such minds meet and share.
More than a personal account and less
than an academic study (in all of the right ways), the book allows readers a kind
of continuous insight into a friendship and a working exchange. Following
introductory materials by Jason V. Brock, S. T. Joshi, and Ray Bradbury himself
(writing about Nolan), the book opens onto a series of chronologically arranged
articles and essays—including introductions and afterwords to a number of books—in
which Nolan speaks about Bradbury, beginning with their first encounters and
Nolan’s responses to them (1952) and concluding with Nolan’s “My Personal
Evaluation of Ray’s Finest Stories” (2013). Joshi comments in his introduction
that there is a certain level of necessary redundancy in the accounts, and he
is correct; key episodes in their friendship recur frequently, often using the
same sentences and vocabulary. But that is as it should be. The repetitions
remind readers that they are following a six-decade long series of conclusions
on Nolan’s part; the details of Bradbury’s career and influence may—and must—shift
as the essays progress, but at core, the essence of Bradbury remains the same.
Each repetition is placed into a different context and thereby gains depth and
resonance, linking the disparate essays into a unified whole.
The second major section, “Stories,”
presents Nolan’s fictions that he defines as either about Bradbury or
influenced by Bradbury’s style and approach. They range from serious stories,
such as “And Miles to Go Before I Sleep” and “To Serve the Ship,” to
exquisitely modulated parodies and satires, such as the perfectly titled “The
Dandelion Chronicles”—a loving tribute to Bradbury that encompasses most of his
recurring themes as well as his signature style. Each is distinctly Nolan; none could have been written without his
having first met Ray Bradbury.
“Tributes to Ray Bradbury” and “Afterword:
The Return of Ray B.” round off the volume by giving space to Nolan, Brock,
John C. Tibbetts, Joshi, and Greg Bear to speak personally and, as it were,
conclusively about Bradbury and his influence. Each offers more insight into a
complex, multi-faceted, tremendously influential genius. Each is much
appreciated.
The final part is a short but useful
bibliography of major works, collections, stories, and other writings by both
Nolan and Bradbury. It is an appropriate capstone to this involving study of
writing, writers, friends, and friendships.
Check out this very well-done interview with Jason V Brock by Henry Chamberlain over at Comics Grinder. http://comicsgrinder.com/2015/02/17/interview-jason-v-brock-and-the-world-of-fantasy-and-science-fiction/ …
Assembles 18 stories of cosmic mayhem and terror, by Jason V Brock, Rick Dakan, Jason C Eckhardt, Brian Evenson, Tom Fletcher, Richard Gavin, Caitlin R Kiernan, John Langan, Nick Mamatas, Nicholas Royle, Darrell Schweitzer, John Shirley, Melanie Tem, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson, Don Webb, and Chet Williamson.
Dead Reckonings No. 14, edited by June M. Pulliam and Tony Fonseca, Hippocampus Press, 2014. Info: hippocampuspress.com.
“A Review of Horror Literature.”
Wagner and Vincent on Simmons – Hank Wagner and Bev Vincent (Dan Simmons, The Abominable)
Ramsey Campbell, Probably: The Grin Beneath the Flesh
From Horror to Homage – Richard Bleiler (J. E. Mooney and Bill Fawcett, eds., Shadows of the New Sun: Stories in Honor of Gene Wolfe; Joseph S. Pulver, Sr., ed. The Grimscribe’s Puppets)
Joel Lane: In Memoriam – Robert Butterfield
Other Realities—Alternate Readings: Two Views on Jason V Brock (Jason V Brock, Simulacrum and Other Possible Realities)
Outlier – Jonathan Johnson
Brock as Intriguing New Voice – Darrell Schweitzer
Malignant Mothers – Richard Bleiler (John Boyne, This House Is Haunted, Sophie Hannah, The Orphan Choir)
What Happens After – Sarah Simms (Ellen Datlow and Terri Windling, eds., After: Nineteen Stories of Apocalypse and Dystopia)
571 Forrester Lane Eats Babies – Matthew McEver (Sonja Condit, Starter House)
Triskaidekaphilia – Jonathan Johnson (Jonathan Thomas, Thirteen Conjurations)
Submitted: My Stamp of Approval – Tony Fonseca (Reba Wissner, A Dimension of Sound: The Music of The Twilight Zone)
Religious Fanaticism Run Amok – Antoinette Winstead (L. Andrew Cooper, Burning the Middle Ground)
Fifty Years of Ramsey Campbell – S. T. Joshi (Ramsey Campbell, Holes for Faces; The Kind Folk; and The Last Revelation of Gla’aki)
Two Veteran Storytellers Demonstrate How It Is Done – Robert Butterfield (Darrell Schweitzer, The Emperor of the Ancient Word; Tony Richards, The Universal and Other Terrors)
Zombie Scholarship Earns Respect – June Pulliam (Jennifer Rutherford, Zombies; Aalya Ahmad and Sean Moreland, eds. Fear and Learning: Essays on the Pedagogy of Horror)
Sequel Deserves to be a Forgotten Chapter – Braden Dauzat (James Wan, dir. Insidious: Chapter 2)
Haunted from Within and Without – Richard Bleiler (Ellen Datlow, ed. Hauntings)
A Darker Piece of Darkness – John Edgar Browning (Ellen Datlow, ed. The Best Horror of the Year, Volume 5 and Blood and Other Cravings; Laird Barron, The Beautiful Thing That Awaits Us All and Other Stories)
The Lovecraftian Magickal Mystery Tour – Leigh Blackmore (Peter Levenda, The Dark Lord: H. P. Lovecraft, Kenneth Grant and the Typhonian Tradition in Magic)
A Smorgasbord of Weird – S. T. Joshi (Lois H. Gresh, ed. Dark Fusions: Where Monsters Lurk!)
Portrait of the Mythos-Maker as a Young Man – Tony Fonseca (S. T. Joshi, The Assaults of Chaos: A Novel about H. P. Lovecraft)
Second Time’s the Charm – Leigh Blackmore (H. P. Lovecraft, The Ancient Track: The Complete Poetical Works)
Covens, Witchcraft, and Murder, Oh My! – Antoinette Winstead (Debbie Viguie, The Thirteenth Sacrifice: A Witch Hunt Novel)
Zombies Are People Too – June Pulliam (Jonny Campbell, dir., In the Flesh)
The Weird Scholar – S. T. Joshi
Notes on Contributors
8:00 am |
Febbraio 15 2014
| 1 nota
