Continue reading here:
Interview with George Romero by Jason V Brock in Nameless #2+

Continue reading here:
Interview with George Romero by Jason V Brock in Nameless #2+

What in the hell is “The Next Big Thing”? Yeah, I’m a little late. Sue me: Been very busy…
Paul Davids, the director of the documentary The Sci-Fi Boys spurred this exploration of the afterlife after an odd encounter in a hotel room. While staying at a hote he printed a piece of paper, he then left the room for a few moments and when he returned he found what he believes was proof that his friend, the departed Forrest J Ackerman of Famous Monsters of Filmland magazine, had reached out him from beyond the grave. Actually, what he found was an unexplained ink smudge on a piece of paper, but this documentary would have you believe it’s proof of the existence of the conscious mind from beyond.
Personally I do believe in something in the hereafter. What exactly that is I won’t speculate on but I do hope there’s something beyond what we know, I wanna believe there’s more than just rotting in the dirt. When my younger tragically brother passed on at a young age I found myself speaking to him while I was alone in the dark, I was full of regret and mourning his death, there were so many things I wished I’d said, and I would find myself speaking these things to him as if he were there. Do I think he was present at the time, was his spirit with me, does anyone really know?
Paul Davids and a small group of true believers, scientists and friends of the departed Forrest J Ackerman would have you believe yes, there’s something out there. we have entries from respected science fiction authors Richard Matheson, Whitley Strieber, Dannion Brinkley and Michael Shermer, whom all chime in. There are also testimonies and research from scientist including Gary Schwartz, the Director of the Laboratory for Advances in Consciousness and Health, here in Tucson, AZ at The University of Arizona, where I work. Schwartz in his lab attempts to communicate with the deceased through a series of yes/no questions and awaits a metered response, which proves absolutely nothing in my opinion. Seriously, until I see an apparition myself it’s gonna be difficult for me to believe, not that I do not want to, I just need a little proof.
Some of these testimonies are compelling stories, witnesses recount weird happenings that they assign to the afterlife, but c’mon now, papers falling off a chair… one time! If it weren’t for the trappings of Forry Ackerman here I don’t think I would have even given this documentary a shot, I hate shows like Ghost Hunters. I do appreciate the fond remembrances of the the world’s ultimate science-fiction nerd but as a science-based exploration of life after death the film is utterly lacking, simply stating that science cannot rule out communication from the afterlife does not prove squat.
There are 40 minutes of bonus features including audio excerpts from a 2009 tribute to Ackerman with touching tributes from Rick Baker and Ray Bradbury. There’s also a second disc featuring The Life After Death Project 2 – Personal Encounters (101 Mins) with further testimony about personal accounts of supposed life after death. I would much rather watch a documentary about Forrest J. Ackerman’s life and what he meant to legions of fans, what happened after his death is of far less interest. 2 Outta 5
Jason V Brock was a guest on Cardinal Sin’s Masters of the Genre YouTube show on August 16th, 2022. You…
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In this follow up volume to The Many Lives of It, Jason V Brock analyzes Rob Zombie and his character…
Just a quick note to confirm that Jason V Brock and Sunni K Brock will be attending San Diego Comic…
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Good Wednesday,
The Lockbox is happy to have a guest today. You may remember Stephanie Wytovich. I interviewed her last summer. Well, sheโs back, and sheโs going to talk about her forthcoming book of horror poetry, HYSTERIA.
Without further ado, here she is.
-Soโฆtalk to us about HYSTERIA. Whatโs it about?
The easy answer is that HYSTERIA is about madness, but to me, itโs always been about acceptance. When I sat down and decided to start writing it, I essentially decided to go a little mad myself. There was nothing easy about writing this collection: no fun nights composing next to the moon, no clever evenings spent making up metaphors and bringing characters to life.
It was hard.
And it was painful.
I read a lot of abnormal psychology, studied the diseases of the brain, and traveled across the states to visit different asylums and feel the air and the charge of what it meant to be locked up in solitary. I sat in the isolation rooms of West Virginiaโs State Penitentiary, and spent the night at the Trans-Allegheny Lunatic Asylum.
And then I met her.
Hysteria.
Most of the pieces came to me late at night, crazed and racked by insomnia, and when they did, they were fluent and clear, as if I were talking to the characters one-on-one. I wrote down their voices, shaped the faces that I saw in my nightmares, and looking back, itโs no wonder I didnโt sleep. The patients that readers will meet in this collection are vicious, cruel, and more often than not, completely insane.
Although there are a few innocents.
But who out there is really walking around with a clean conscience?
-What inspired you to put the book together?
When I was an undergraduate at Seton Hill University, I had to start a blog for my Intro. To Literary Study course. I heard everyone talking about blogs and their importance, but to me, it just seemed like another chore that I had to maintain when all I wanted to do was write poetry and study art. But, I created oneโฆquite sarcastically at that.
โJoin me in the madhouse,โ I said.
Blogging drove me insane, and I hated doing it. And then one day, I hated it a little less, and then even lesser than that. The crazy part about it was that I soon started doing it for fun. I played with the madhouse theme, reviewing psychological films and critiquing books under the veil of psychoanalytic criticism. I read a lot of Freudโprobably too much Freudโand paid special attention to his ideas on sexuality and the uncanny.
I saw madnessโerotic, uncanny madnessโeverywhere I went.
The thick, black sludge of the mindโs breaking point.
And when I realized that madness broods inside us allโwhether we choose to accept it or notโI knew that I had to explore it, dissect it, rip it apart with a scalpel and study it.
And so I did.
-Is there anything in there that shocked even you?
The entire collection was/is quite shocking to me. Yes, I realize that probably sounds odd considering I write horror, but I donโt think Iโve ever created something so dark, so angry before. There are pieces in there that I look at and think who/what wrote that?
But thatโs what I wanted.
I wanted the voice that not only sits in the shadows, but is the shadows. I wanted darkness, blackness, and madness all wrapped up in a straightjacket and ready to go.
And then I wanted to release it and watch the asylum burn.
-Do you ever see yourself writing anything but horror?
Horror is what I doโwhat I love to doโand I canโt imagine doing anything else, because letโs face itโฆ horror is in everything. Whatโs scarier than exploring space and meeting aliens? Whatโs more frightening than meeting creatures that exist only in your wildest dreams? And whatโs more horrifying than falling in love?
Fear is in everything.
It doesnโt matter what genre Iโm writing in.
Iโm going to strangle it and take it down.
-Name a book/tv show/movie you like that would surprise people.
Something that would surprise people, eh?
Iโve seen every episode of Spongebob to date.
And I was there opening day to see the movie when it came out.
That crazy, yellow sponge cracks me up.
Preorder your copy of HYSTERIA here.
Find Stephanie on the web at her blog. Follow her on Twitter @JustAfterSunset.
Sheโs also on Goodreads. Enter the giveaway to win a free copy of HYSTERIA!
โAlso, Iโll be reading from Hysteria at Kafe Kerouac on August 2 from 7-9 p.m. alongside fellow poets John Edward Lawson and Michael A. Arnzen to kick off DogCon2. There will be comedy, madness, and amputated prose, not to mention a whiskey tasting to follow! Weโd love to see you there!โ
About Stephanie
Stephanie M. Wytovich is an Alum of Seton Hill University where she was a double major in English Literature and Art History. Wytovich is published in over 40 literary magazines and HYSTERIA is her first collection. She is currently attending graduate school to pursue her MFA in Writing Popular Fiction, and is working on a novel. She is the Poetry Editor for Raw Dog Screaming Press and a book reviewer for S.T. Joshi, Jason V. Brock and William F. Nolanโs Nameless Magazine. She plans to continue in academia to get her doctorate in Gothic Literature.
Check out my previous interview of Stephanie here.
Author Wilum Pugmire leads a discussion with genre legend Nolan and his cohorts Jason and Sunni Brock— fresh from their…
Weird Fiction Review #4, November 2013, edited by S.T. Joshi, Centipede Press, 2014. Cover art by Bob Eggleton, info and previews: centipedepress.com.
“The Weird Fiction Review is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This fourth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. It features original stories and essays by J. C. Hemphill, Donald Tyson, Mark Fuller Dillon, Ann K. Schwader, Michael Washburn, James Goho; a lengthy interview with Patrick McGrath; an 8-page full-color gallery of art by Bob Eggleton; regular columns by Danel Olson and John Pelan and much more.”
Contents:
Rare Breeds, Short fiction by J.C. Hemphill
Lunguistica Obscura, Short fiction by Lynne Jamneck
HPL and WHH: Ships in the Night, Essay by Sam Gafford
Stranger On a Bus, Short fiction by Donald Tyson
The Pukey, Classic short story by Nigel Dennis
The Twilight Zone: American Alien-Nation, Article by Christopher Cappelluti
The Vast Impatience of the Night, Fiction by Mark Fuller Dilon
Halsey and the Padre: A Fourteen-Year Oldโs Perspective on Henry S. Whitehead, Article by David Goudsward
Wales and the Weird Tale, Article by Mark Howard Jones
Heh, Heh, Itโs Jack Davis, A look at the classic E.C. Illustrator by John Butler
This Red Night, Fiction by Michael Kelly
The Tell-Tale Offal, Fiction by Clint Smith
The Haunted Wood: Algernon Blackwoodโs Canadian Stories, Article by James Goho
Artist Portfolio, Eight pages of stunning full-color works by Bob Eggleton
The New Monster Magazines, Article by John Butler
Forrest J Ackerman: Fan Zero, Article by Jason V. Brock
An Offer You Canโt Refuse, Fiction by Michael Washburn
Dennis Etchisonโs The Dark Country: After Bradbury, Article by Simon MacCulloch
Through Haunted Minds: An Interview with Patrick McGrath by Danel Olson
Casket Letters, The Gothic Year in Review by Daniel Olson
Forgotten Masters of thr Weird Tale, John Pelan talks about Edmund Snell
Notes on Contributors
Poetry:
Leigh Blackmore
Philip A. Ellis
Angelee Sailer Anderson
Charles Lovecraft
Ann K. Schwader
Sam Middleton
Fred Phillips
Wade German
8:00 am |
Febbraio 4 2014
| 3 note
The Best of The Horror Society 2013, edited by Carson Buckingham, The Horror Society/CreateSpace Independent Publishing Platform, 2013. Info: createspace.com.
“A central coast trip that leads to devastating consequences for wine collectors. An adjoining hotel room that isnโt what it seems. A long bus trip with a stopover in an eerie little town. Youโll visit these places and more in this volume. Or how about the old woman with the strange plant? Or the odd little boy selling lemonade? Perhaps the sideshow lady who just smells so good? Youโll meet them all at the turn of a page and they will remain with you long after the book is closed. The Best of the Horror Society 2013 is an anthology of the weird, the wonderful, and the downright wicked. Within you will discover not only the best of emerging horror writers but seasoned pros whose names you will no doubt recognize as well. So turn out the lights, pull up a chair beside the nearest roaring fireplace and enjoy the ride.”
Contents:
FOREWORD – Scott M. Goriscak
INTRODUCTION – Carson Buckingham
CEREMONY – William F. Nolan
TENDRILS NEVER LIE – Kevin A. Ranson
THE MASK – Lisamarie Lamb
LEMMINAID – Carson Buckingham
THE CENTRAL COAST – Jason V. Brock
WHITE HELL, WISCONSIN – Weldon Burge
VICTIMIZED – Richard Thomas
NORMAL IS RELATIVE – Dan Dillard
THE PROCEDURE – Doug Lamoreux
THE LITTLE CHURCH OF SAFE CROSSING – Joe McKinney
MADELEINE – Julianne Snow
IT HAS TEETH – Christian A. Larsen
MASQUERADE – Dave Jeffery
BLACK BIRD – Rose Blackthorn
ADJOINING ROOMS – Scott M. Goriscak
THE INSPIRATION & HORROR OF GEORGE & HUGH – Nicholas Grabowsky
THE CLOWN – Henry Snider
MOVING DAY – Mark Onspaugh
ELLEN – Lee Pletzers
DADDY – Aaron Warwick Dries
SOFT LIKE HER – Charles Colyott
VENUS – L.L. Soares
THE LUMINOUS VEIL – Ian Rogers
BEER & WORMS – T.E. Grau
BLACK MARY – Mercedes M. Yardley
THE BOY IN THE ELEVATOR – Robert S. Wilson
WEIRD – Dean M. Drinkel
HOTTIES – Mort Castle
10:00 am |
Novembre 17 2013
| 1 nota
We are happy to announce that we will be attending Chicon 8 in September. This will be the 80th World…
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