JaSunni Productions

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18 Jul: Pictures from the World Horror Convention in New Orleans

Hello. I am not as cranky as this picture suggests. Stick with me and I promise to smile.

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This is my Bitchy Resting Face

A week ago I was in New Orleans for the

Bram Stoker Awards Weekend incorporating World Horror Convention

— which for brevity’s sake I’ll refer to as WHC.

I stayed at the convention venue: the Hotel Monteleone in the French Quarter. My friend and fellow writer, Eliza Hirsch, shared a room.

I arrived Wednesday night with no trouble–unlike Eliza, whose flight was canceled, but that’s her story to tell. I rode the Airport Shuttle into the French Quarter, checked in to the hotel, dropped off my stuff, and went in search of a grocery store. I was going on an all day tour the following morning and I’d been told there wouldn’t be time to stop for food, so I stocked up on bread, blueberry preserves, peanut butter, and a lot of fruit. There was a minor incident when my bag fell off the counter while I was paying and the jar of preserves shattered inside the bag, but the kind staff replaced the jar and I only had to spend a little time washing blueberry paste off my bananas.

The weather was clear during my excursion, humid, and hot. I assembled my lunch for the next day, had a cocktail in the hotel bar (it spins slowly, hence the name Carousel) and went to bed.

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A dim view of the Carousel Bar at Hotel Monteleone

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A Vieux Carre at the Hotel Monteleone

Thursday morning I ate breakfast in the hotel restaurant, Criollo–a delicious egg white omelet filled with vegetables and a spicy tomato sauce, plus lots of coffee. Then I caught the tour bus and we headed out to the Laura Plantation.

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Front of Laura — a Creole Plantation, comprehensive info here

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Inside of one of the Laura Plantation slave quarters where folklorists recorded the Br’er Rabbit tales

Soon enough we were on our way to the swamp. I had arranged for a six-person airboat tour of the swamp, but lucked out. Only four of us were on the boat.

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Waiting for my turn on the airboat. Not pictured: slathering on sunscreen.

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My view on the airboat

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“Airboat Self-Portrait” is the name of my next band

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Our guide feeds marshmallows to a gator

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Spanish Moss is not a moss. It is related to the pineapple.

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A final stop in the marsh, talking about collecting gator eggs

Overall I really enjoyed the airboat swamp tour. I compared notes with some folks who took the regular flat-bottomed boat and they interacted with more wildlife, but the ride through the swamp was exhilarating.

Time passes. I meet up with my roommate and go on a ghost tour. Buy one Hurricane, get one free…

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We were in the Beast group

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“Creepy Jesus Shadow”

After the tour was over, Eliza and I took a brief walk down Bourbon Street. Thankfully, no pictures exist of that excursion.

The next morning (Friday) I went to a useful workshop about marketing taught by Matt Schwartz. And then I went to panels and readings.

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Lisa Morton interviews John Joseph Adams

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Selling Your Short Story Panel: Simon McCaffery, Ellen Datlow, Norman Prentiss, John Joseph Adams

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CaitlĂ­n R. Kiernan is interviewed by Angel Leigh McCoy

Dinner was at a Paris-style place. I enjoyed the Shrimp Creole and a Bloody Mary. Then I returned for more.

Eliza and I dressed up for the dance.

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Eliza looking lovely

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Me goofing around

Next day more panels and readings. And a Kaffeeklatsch with CaitlĂ­n R. Kiernan.

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Robert McCammon, reading

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Kaffeeklatsch: CaitlĂ­n R. Kiernan (Best two and a half hours of the con)

For lunch I joined a group at Mr. B’s for seafood gumbo and a Bloody Mary.

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CaitlĂ­n R. Kiernan, reading

Eliza and I took a break to go to the Voodoo Museum with a stop at the Faulkner House and another for daiquiris.

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Voodoo Museum

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Voodoo dolls

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Offerings at the Voodoo Museum

That evening I went to the Bram Stoker Awards, but I was too busy telling jokes and stuffing my face to take crummy camera phone pics.

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Eliza and I went to see fellow writer Sanford Allen play a gig with his band Hogbitch at Checkpoint Charlie’s

Sunday morning arrived fast. As an aside, I ate almost every breakfast at Café Beignet. Fabulous Cajun Hashbrowns and omelets.

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Advice for New Writers Panel: K. Trap Jones, Liz Gorinsky, L. L. Soares, Yvonne Navarro, Rena Mason

I also went to the dialogue panel but didn’t take a photo. Too busy scribbling notes.

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The Future of Writing Panel: Peter Giglio, Jason V Brock, Alexandra Sokoloff, William F. Nolan

After the closing ceremonies I joined up with some cool people, ate lunch, walked around and imbibed a lot–including a stop at Pat O’Brien’s for a Hurricane. Also, absinthe.

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At The Olde Absinthe House, the bartender prepares our drinks

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My glass of Mata Hari absinthe. Very tasty. The anise was subtle.

Sunday night also involved a snack at Daisy Duke’s and a lot of packing. Monday morning I caught a shuttle to the airport and had an uneventful trip home.

Can’t wait for next year in Portland, OR!

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18 Jul: Guest Appearance–Stephanie M. Wytovich

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Good Wednesday,

The Lockbox is happy to have a guest today. You may remember Stephanie Wytovich. I interviewed her last summer. Well, she’s back, and she’s going to talk about her forthcoming book of horror poetry, HYSTERIA.

Without further ado, here she is.

-So…talk to us about HYSTERIA. What’s it about?

The easy answer is that HYSTERIA is about madness, but to me, it’s always been about acceptance. When I sat down and decided to start writing it, I essentially decided to go a little mad myself. There was nothing easy about writing this collection: no fun nights composing next to the moon, no clever evenings spent making up metaphors and bringing characters to life.

It was hard.

And it was painful.

I read a lot of abnormal psychology, studied the diseases of the brain, and traveled across the states to visit different asylums and feel the air and the charge of what it meant to be locked up in solitary. I sat in the isolation rooms of West Virginia’s State Penitentiary, and spent the night at the Trans-Allegheny Lunatic Asylum.

And then I met her.

Hysteria.

Most of the pieces came to me late at night, crazed and racked by insomnia, and when they did, they were fluent and clear, as if I were talking to the characters one-on-one. I wrote down their voices, shaped the faces that I saw in my nightmares, and looking back, it’s no wonder I didn’t sleep. The patients that readers will meet in this collection are vicious, cruel, and more often than not, completely insane.

Although there are a few innocents.

But who out there is really walking around with a clean conscience?

-What inspired you to put the book together?

When I was an undergraduate at Seton Hill University, I had to start a blog for my Intro. To Literary Study course. I heard everyone talking about blogs and their importance, but to me, it just seemed like another chore that I had to maintain when all I wanted to do was write poetry and study art. But, I created one…quite sarcastically at that.

“Join me in the madhouse,” I said.

Blogging drove me insane, and I hated doing it. And then one day, I hated it a little less, and then even lesser than that. The crazy part about it was that I soon started doing it for fun. I played with the madhouse theme, reviewing psychological films and critiquing books under the veil of psychoanalytic criticism. I read a lot of Freud—probably too much Freud—and paid special attention to his ideas on sexuality and the uncanny.

I saw madness—erotic, uncanny madness—everywhere I went.
The thick, black sludge of the mind’s breaking point.

And when I realized that madness broods inside us all—whether we choose to accept it or not—I knew that I had to explore it, dissect it, rip it apart with a scalpel and study it.

And so I did.

-Is there anything in there that shocked even you?

The entire collection was/is quite shocking to me. Yes, I realize that probably sounds odd considering I write horror, but I don’t think I’ve ever created something so dark, so angry before. There are pieces in there that I look at and think who/what wrote that?

But that’s what I wanted.

I wanted the voice that not only sits in the shadows, but is the shadows. I wanted darkness, blackness, and madness all wrapped up in a straightjacket and ready to go.

And then I wanted to release it and watch the asylum burn.

-Do you ever see yourself writing anything but horror?

Horror is what I do—what I love to do—and I can’t imagine doing anything else, because let’s face it… horror is in everything. What’s scarier than exploring space and meeting aliens? What’s more frightening than meeting creatures that exist only in your wildest dreams? And what’s more horrifying than falling in love?

Fear is in everything.

It doesn’t matter what genre I’m writing in.

I’m going to strangle it and take it down.

-Name a book/tv show/movie you like that would surprise people.

Something that would surprise people, eh?

I’ve seen every episode of Spongebob to date.

And I was there opening day to see the movie when it came out.

That crazy, yellow sponge cracks me up.

Preorder your copy of HYSTERIA here.

Find Stephanie on the web at her blog. Follow her on Twitter @JustAfterSunset.

She’s also on Goodreads. Enter the giveaway to win a free copy of HYSTERIA!

“Also, I’ll be reading from Hysteria at Kafe Kerouac on August 2 from 7-9 p.m. alongside fellow poets John Edward Lawson and Michael A. Arnzen to kick off DogCon2. There will be comedy, madness, and amputated prose, not to mention a whiskey tasting to follow! We’d love to see you there!”

About Stephanie
Stephanie M. Wytovich is an Alum of Seton Hill University where she was a double major in English Literature and Art History. Wytovich is published in over 40 literary magazines and HYSTERIA is her first collection. She is currently attending graduate school to pursue her MFA in Writing Popular Fiction, and is working on a novel. She is the Poetry Editor for Raw Dog Screaming Press and a book reviewer for S.T. Joshi, Jason V. Brock and William F. Nolan’s Nameless Magazine. She plans to continue in academia to get her doctorate in Gothic Literature.

Check out my previous interview of Stephanie here.